James Cagney young
July 17, 1899
5 ft 5 in | 165 cm
51 kg | 112 pounds
James Cagney was born in Lower East Side, New York City, New York, United States on July 17, 1899, was an American actor and dancer. Young James Cagney began his career as a vaudeville dancer and comedian. He made his big screen debut in the crime drama movie Sinners' Holiday (1930) in role as Harry Delano. Cagney's breakthrough role came as Tom Powers in pre-Code drama crime film The Public Enemy (1931) opposite Jean Harlow.
He was nominated for the Academy Award for Best Actor for his performances as Martin Snyder in biographical romantic musical drama film Love Me or Leave Me (1955) and as William "Rocky" Sullivan in drama crime film Angels with Dirty Faces (1938).
He won the Academy Award for Best Actor for his role as George M. Cohan in biographical musical film Yankee Doodle Dandy (1942).
He received an Academy Lifetime Achievement award in 1974.
White Heat (1949) drama crime with Virginia Mayo
Mister Roberts (1955) comedy drama opposite Henry Fonda
The Roaring Twenties (1939) crime thriller with Humphrey Bogart
Ragtime (1981) drama opposite Elizabeth McGovern
One Two Three (1961) comedy with Pamela Tiffin
Footlight Parade (1933) pre-Code musical with Busby Berkeley
A Midsummer Night's Dream (1935) romance fantasy opposite Olivia de Havilland and Mickey Rooney
The Strawberry Blonde (1941) romantic comedy with Rita Hayworth and Olivia de Havilland
He is best known for playing gangsters in films.
Orson Welles and Stanley Kubrick considered him to be one of best actors of all time.
He was awarded a Star on the Hollywood Walk of Fame at 6504 Hollywood Boulevard in Hollywood, California on February 8, 1960.
He married Frances Willard "Billie" Vernon on September 28, 1922, they had two adopted children.
Was best friends with actors Pat O'Brien and Frank McHugh.
He holds a Black Belt in Judo.
James died on March 30, 1986, Stanfordville, New York, U.S., at age of 86.
My father was totally Irish, and so I went to Ireland once. I found it to be very much like New York, for it was a beautiful country, and both the women and men were good-looking.
You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tired to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.
The thing is to try to give the audience something to take away with them. That's what I always wanted to do.
Learn your lines, find your mark, look 'em in the eye and tell 'em the truth.
All I try to do is to realise the man I'm playing fully, then put as much into my acting as I know how. To do it, I draw upon all that I've ever known, heard, seen or remember.